Molière’s work provides the playground for a mutifaceted re-writing, a joyful drama where comedy and tragedy meet head to head to create a metamorphic character who – despite, and maybe, because of his boundless, ever-changing nature – preserves a certain degree of self-coherence. Far fromincarnating  the role of a trivial womanizer, a female collector inclined to indulgein endless flirts because of the strength of his instincts or outof boredom, he stands out as an individual obsessed by his abnormal will of power – an imperious need for self-assertion originating in an existential void with some hints of metaphysical spleen shadowed by a desperate fear for failure. This Don Juan is a Lothario who rips off the mask concealing not only his face, in an act of revealing which bares an entire society: the cool-blooded, cynical world of hypocrisy, meanness and double standards where he is stuck himself.

On Friday, December 12th, 2014, at 09:00 p.m. – On Saturday, December 13th, at 09:00 p.m. – On Sunday, December 14th, at 05:00 p.m.

Alessandro Preziosi starring

DON JUAN 
by Molière
translation and adaptation by Tommaso Mattei
with Nando Paone as Sganarello 
Direction Alessandro Preziosi
Scenography Fabien Iliou
Costumes Maria Crisolini Malatesta
Music Andrea Farri
Stage lighting Valerio Tiberi
Artistic supervision Alessandro Maggi 
A  Khora.teatro production in collaboration with TSA Teatro Stabile d'Abruzzo